3/23/2023 0 Comments On1 hdr tutorial![]() The image may change in appearance, but don’t worry about that – it’s the final tone mapped version that counts. Affinity Photo will run through a sequence of steps here, including the alignment of the source images, the HDR merge process, a Denoise process (if you left this option selected in the previous step) and the final tone map phase. There are some complex processes at work here, so you need to wait a few moments while they finish. Keep the ‘Automatically remove ghosts’ option for shots where objects have moved between frames. The noise reduction is designed for raw files, however, and if you’re using JPEGs or you find the effect too strong, you should disable it. There are settings underneath which are ticked by default – ‘Automatically align images’, ‘Noise reduction’ and ‘Tone map HDR image’ – and you don’t usually need to change these. Now you’re prompted to choose the photos you want to merge on your computer, and when you’ve done that they’re displayed in the ‘New HDR Merge’ dialog. In Affinity Photo, select File > New HDR Merge… Choose your photos and settings A tripod is good, but actually not essential. You simply specify the bracketing interval – we’d suggest 2EV steps, but 1EV is sometimes enough – and shoot your pictures. This is really easy to do on any camera with an exposure bracketing function, by the way. We’ll assume you’ve already got the bracketed exposures you want to merge. So that’s the theory – let’s see how it works in practice. Second, there’s the tone mapping phase, carried out in Affinity Photo’s Tone Mapping Persona, which takes this enormous brightness range and maps it onto the available brightness range of a regular photo. Between them, these exposures capture the full brightness range in the scene, even if they can’t do that individually. First, there’s an HDR merge process that takes a series of individual ‘bracketed’ images shot at different exposures. That’s the result you get from Serif Affinity Photo, and it’s achieved in two stages. There’s the wildly super-saturated, super-sharpened look that we’ve all seen lots of times, and there’s the subtly ‘tone-mapped’ look that is designed to look as natural as possible – ideally, so that people looking at the photo don’t realise that it’s been through an HDR process at all. There are, broadly, two types of HDR effect. The other complaint, that HDR images look overdone, is more to do with the software than the process. So our ‘after’ shot is arguably much closer to what we would see with the naked eye than any of the individual ‘before’ shots we used to make this single high-dynamic range image. Our eyes don’t just take in a scene with a single ‘exposure’ – instead, they scan back and forth, building a mental image of a scene, with all its extremes of brightness and shadow. ![]() There are a lot of misconceptions about HDR photography – that the results must always look ‘overcooked’, for example, or that HDR images are somehow inherently unnatural.īut done right, perhaps they represent the complex interaction between eye and brain that we rely on to ‘see’ the world more accurately than we think. The new features in version 1.5 include an HDR Merge tool for combining a series of different exposures of the same scene into a single, high dynamic range image, and Tone Mapping Persona (or ‘workspace’) which can bring out all this extended shadow and highlight detail to create a richly detailed, finished image. The latest update, version 1.5, introduced some exciting new tools – as you can see from this video It’s now available in both Mac and Windows versions, too. HDR photography has a reputation for being difficult, but Affinity Photo’s HDR Merge and Tone Mapping Persona make it easy to get superb resultsĪffinity Photo is an exciting new addition to the professional photo editing market, combining powerful layering, masking, adjustment and effects tools with an extremely competitive, subscription-free price.
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